Who it's for
First-release artists who need someone to handle the platform mechanics, and growing indie artists tired of fighting upload portals between every release.
Your release shouldn't disappear into a queue. Signal Room Society handles the delivery, metadata, and platform mechanics so your music shows up on every store that matters — with $0/year distribution, an 85% artist royalty split, optional paid services, and no ownership grab.
First-release artists who need someone to handle the platform mechanics, and growing indie artists tired of fighting upload portals between every release.
Worldwide store delivery to Spotify, Apple Music, YouTube Music, Amazon Music, TikTok, Instagram, Deezer, Tidal, Pandora, and 150+ stores. ISRC and UPC codes assigned. Proper metadata, ownership, and split coding handled before submission. Royalty payouts collected and reported back. Full takedown control whenever you decide.
Distribution is the gate. A clean submission with correct metadata, the right artwork specs, and proper rights coding decides whether your release lands cleanly on every store or stalls in review. Set the tone for your rollout by getting the distribution right the first time.
$0/year distribution with an 85% artist royalty split. Paid services are optional.
Your music video distributed to a single platform of your choice.
Your music video distributed across the full video network.
Press vinyl, CDs, or cassettes and distribute to big-box, chain, and independent retailers via AMPED partnership.
Begin with your artist information, release details, final audio, cover artwork and collaborator credits. SRS reviews the submission for release readiness before the store handoff. If something needs correction, resolve it before expecting delivery to move forward. Keep the release date, track order and approved file versions consistent across the project. After delivery, check the live store links and artist profiles so you can flag a mismatch. A submission status and a confirmed live release are different milestones; use the available status updates to follow progress.
Prepare the final audio for every track, the approved cover, exact artist and track names, explicit-content information and the intended release date. Include existing Spotify and Apple Music profile links when available, plus songwriter, producer and featured artist credits. Explain any samples, licenses or collaborator permissions that affect the release. For a transfer, bring existing identifiers and links instead of starting from memory. Keeping these details together helps avoid duplicate profiles, version confusion and corrections after the music has already reached stores.
The distribution lane is $0/year with an 85% artist royalty split. That describes the distribution model, not a promise of earnings or a free bundle of every artist service. Mastering, artwork, marketing and other paid support remain optional and have their own scope. Artists retain ownership of their music. Review the applicable terms and collaborator arrangements before submitting, especially when several people share rights or income. Store processing, reporting and royalty availability depend on external platforms, so avoid building a budget around an assumed payment date.
Uploading an unfinished mix, changing credits at the last moment or submitting artwork you cannot use can hold up a release. Check spellings, versions, permissions and profile mappings before approving the handoff. Leave time for review and store processing rather than announcing an immediate launch. Distribution does not include guaranteed editorial placement or automatic audience growth. For an existing catalog transfer or takedown, ask for a coordinated plan before removing anything from your current distributor; rushing that step can interrupt availability and make follow-up harder.
The distribution lane has no annual fee and uses an 85% artist royalty split. Optional paid services are separate. Read the current terms and any service quote so you understand the relationship before approving a release.
Yes. Distribution does not transfer ownership of your masters to SRS. You still need the rights and permissions to distribute the material, and collaborators' ownership and payment arrangements should be settled before the submission is approved.
No exact store timing is guaranteed. Asset readiness, review, corrections and store processing all affect availability. Share the planned date early and leave a practical buffer before committing to announcements, ads or a launch event.
Discuss the existing release first and provide its store links, ISRCs and UPC where available. Matching the original recording and metadata matters. Keep the current release available until a coordinated transfer and takedown plan has been reviewed.
Store delivery and marketing are separate. A release can be available without having a campaign behind it. If you need pitch preparation, visuals or a rollout plan, choose that support explicitly rather than assuming it comes with distribution.
Finish the audio before submitting the release.
Prepare approved artwork for store delivery.
Plan how listeners will discover the record.