Platform comparison

SRS vs DistroKid vs TuneCore vs CD Baby

Every major distributor puts music in stores. The difference is what happens before, during, and after the upload. Here's how Signal Room Society compares to the self-serve alternatives.

Signal Room Society

$0/year

$0/year distribution with an 85% artist royalty split. Paid services are optional.

DistroKid

$22.99+/yr

Royalties retained after annual fee

TuneCore

$14.99+ per release

Royalties retained after per-release fee

CD Baby

$9.99+ per release

91% royalties, one-time fee

Feature by feature

What you actually get

FeatureSRSDistroKidTuneCoreCD Baby
$0/year distribution
$0/year
$22.99+/yr required
$14.99+ per release
$9.99+ per release
Artist royalty split
85% artist royalty split
Artist keeps royalties after fee
Artist keeps royalties after fee
91% after cut
Keep master ownership
Delivery to 150+ stores
Human release review
Every submission reviewed
Automated only
Limited review
Basic QA
Private client dashboard
Full Client Room
Basic stats portal
Basic portal
Basic portal
Session Room (file review + comments)
Included
Music mastering
On-demand service
Paid add-onAdd-on via partners
Paid add-onAdd-on
Cover artwork design
On-demand service
Paid add-onAdd-on
Spotify editorial pitching
On-demand service
Self-serve tool only
Royalty split tracking
SplitShare™ built-in
Manual splits tool
Metadata QA before submission
Readiness gate included
Basic validation
Sync licensing support
On-demand service
Paid add-onPublishing admin add-on
Paid add-onAdd-on
Membership savings tier
The Booth — $9.99/mo, 20% off eligible fixed-price services
Annual plan discounts only
No forced annual subscription
Distribution is free, membership optional
Must pay annually to keep releases live
Pay per release or annual plan
Pay per release option

Competitor pricing and features based on publicly available information as of May 2026. Subject to change.

The real difference

Distribution is the starting line. Most platforms treat it like the finish.

DistroKid, TuneCore, and CD Baby are upload portals. They are good at putting files in stores. They are not in the business of helping you execute a rollout, fix a metadata problem before it hits stores, or deliver a mastered track directly into your private client workspace.

Signal Room Society treats distribution as infrastructure, not as the product. The product is what happens around the release — the prep, the support, the communication, and the services that make the release actually land.

When to choose SRS
You want a team that reviews your submission before it hits stores
You need mastering, artwork, or rollout services alongside distribution
You release with collaborators and need transparent split tracking
You want a private workspace to track orders and access deliverables
You release multiple times a year and want service savings built in
You are tired of getting ghosted after the upload
Common questions

Before you decide.

Can I switch from DistroKid or TuneCore to SRS?

Yes. SRS offers TransferTrack™ catalog migration support. Catalog transfers may require takedowns from the previous distributor before redelivery. We help coordinate the handoff, but DSP processing time and profile correction timing are not guaranteed.

Is the distribution really free with no catch?

The distribution lane is $0/year with an 85% artist royalty split. There is no hidden annual fee to keep your releases live. Paid services are optional.

What happens if I only want distribution and nothing else?

That is completely fine. The distribution lane is $0/year with an 85% artist royalty split. Paid services are optional, and the platform does not push upsells during the submission flow.

How is SRS different if both services put music on Spotify?

The delivery is the same. The difference is the 20-minute conversation after upload that DistroKid does not have — the metadata check, the cover art review, the Session Room where your deliverables live, and the human on the other side of the order.